Marybeth C. Stalp, Ph.D.  ​

 

Published Peer-Reviewed Books

Marybeth C. Stalp. 2007. Quilting: The Fabric of Everyday Life. Oxford: Berg Publishers.

 

 

Published Peer-Reviewed Articles and Book Chapters

Braden Leap, Marybeth C. Stalp, and Kimberly Kelly. Forthcoming. "Reorganization of Gendered Labor During the COVID-19 Pandemic: A Review and Suggestions for Further Research." Sociological Inquiry.

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Braden Leap, Marybeth C. Stalp, and Kimberly Kelly. Forthcoming. "'Raging Against the Neoliberal Hellscape': Civil Society Responds to the COVID-19 Pandemic in the United States." Antipode: A Radical Journal of Geography.

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Braden Leap, Kimberly Kelly, and Marybeth C. Stalp. Forthcoming. "Choreographing Social Reproduction: Making Personal Protective Equipment and Gender During a Neoliberal Pandemic." Gender, Work & Organization.

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Marybeth C. Stalp, and Ann Rippin. Forthcoming. “‘In Theory, My Stash is For Using: British Quilters, the Fabric Stash, and a Quilting Space of One’s Own.” Quilt Studies, Journal of the British Quilt Study Group

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Marybeth C. Stalp, and Susan Hill. 2019. "The Expectations of Adult-ing: Developing Soft Skills through Active Learning Classrooms." Journal of Learning Spaces 8(2):25-40.

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Marybeth C. Stalp, Emily Gardner, and Ashley Beaird. 2018. 'I Like Knowing When the Zombies Arrive, I Won't be Naked': Young Women and Handcrafting in the United States." Craft Research 9(1): 41-58.

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Marybeth C. Stalp, and Theresa M. Winge. 2017. "If At First You Don't Succeed, Rip It Out and Try Again: The Social Benefits of Failure in DIY Handcrafting." Clothing Cultures 4(2): 87-104.

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Marybeth C. Stalp. 2016. "Still a Man's Art World: The Gendered Experiences of Women Artists" Journal of Research on Women and Gender 6:40-55.

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Marybeth C. Stalp, and Emer Fahy. 2015. “Bookmarks Through the Life Course: Storytelling Through Patchwork.” Pages 55-62 in Perspectives on Storytelling: Framing Global and Personal Identities. Oxford, UK: Interdisciplinary Press.

 

Marybeth C. Stalp. 2015. “Girls Just Want to Have Fun (Too): Complicating the Study of Femininity and Women’s Leisure. Sociology Compass 9(4): 261-271.

 

​Theresa M. Winge, and Marybeth C. Stalp. 2013. "Nothing Says Love Like a Skull and Crossbones Tea Cozy: Crafting Contemporary Subversive Handcrafts" Craft Research 4(1):73-86.

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M. Elise Radina, Lydia K. Manning, Marybeth C. Stalp, and Annette Lynch. 2011. ‘Give me a boa and some bling!’: Red Hat Society members commanding presence through ritual dress and appearance in the public sphere” Embodied Resistance: Breaking the Rules in Public Spaces, Nashville, TN: Vanderbilt University Press, pp. 67-77. Edited by Chris Bobel and Samantha Kwan.

 

​Marybeth C. Stalp, and Rachel (Williams) Conti. 2011. “Serious Leisure in the Home: Professional Quilters Negotiate Family Space” Gender, Work & Organization. 18 (4): 399-414.

 

Marybeth C. Stalp, Rachel Williams (Conti), Annette Lynch, and M. Elise Radina. 2009. “Conspicuously Consuming: The Red Hat Society and Midlife Women’s Identity” Journal of Contemporary Ethnography. 38 (2): 225-253.

 

Marybeth C. Stalp, and Theresa M. Winge. 2008. “My Collection is Bigger Than Yours: Tales from the Handcrafter’s Stash” Home Cultures 5(2): 197-218.

 

Marybeth C. Stalp, M. Elise Radina, and Annette Lynch. 2008. “‘We Do It Cuz It’s Fun:’ Creating Women’s Leisure Space Through Red Hat Society Membership” Sociological Perspectives. 51(2): 325-348.

 

M. Elise Radina, Annette Lynch, Marybeth C. Stalp, and Lydia K. Manning. 2008. ‘When I am An Old Woman, I Shall Wear Purple’: Red Hatters Cope with Getting Old” Journal of Women and Aging 20(1/2):  99-114.

 

Annette Lynch, Marybeth C. Stalp, and M. Elise Radina. 2007. “Growing Old and Dressing (Dis)gracefully.”  Dress Sense: Emotional and Sensory Experiences of the Body and Clothes, Oxford: Berg Publishers, pp. 144-155. Edited by Donald Clay Johnson and Helen Bradley Foster.

 

Marybeth C. Stalp. 2006. “Creating an Artistic Self: Amateur Quilters and Subjective Careers” Sociological Focus. 39 (3):193-216.

 

Marybeth C. Stalp. 2006. “Hiding the (Fabric) Stash: Fabric Collecting, Hoarding and Hiding Strategies of Contemporary U.S. Quilters” Textile: The Journal of Cloth & Culture. 4 (1):104-125.

 

Marybeth C. Stalp. 2006. “Negotiating Time and Space for Serious Leisure: Quilting in the Modern U.S. Home” Journal of Leisure Research 38 (1): 104-132.

 

Linda Grant, Marybeth C. Stalp, and Kathryn B. Ward. 2002. “Women’s Sociological Research and Writing in the Pre-World War II Era” The American Sociologist 33(3): 76-99.

 

Marybeth C. Stalp, and Linda Grant. 2001. “Teaching Qualitative Coding in Undergraduate Field Methods Classes: An Exercise Based on Personal Ads” Teaching Sociology 29 (April): 209-218.

 

Marybeth C. Stalp, and Bill Winders. 2000. "Power in the Margins: Gendered Organizational Effects on Religious Activism." Review of Religious Research 42 (1): 41-60.

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Gary Alan Fine, Beth Montemurro, Bonnie Semora, Marybeth C. Stalp, Dane Claussen, and Zaida Sierra. 1998. “Social Order Through a Prism: Color as Collective Representation” Sociological Inquiry 68 (4): 443-457.

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AWARDS​

2016-2017      Teach UNI Faculty Teaching Certificate Program, Center for Excellence in Teaching & Learning, University of Northern Iowa

2015-2016      CSBS Outstanding Scholarship Award, University of Northern Iowa

2014-2015       CSBS Outstanding Scholarship Award, University of Northern Iowa

2011-2012       The Excellence in Liberal Arts Core Teaching Award, University of Northern Iowa ​

2008-2009       Outstanding Graduate Faculty Teaching Award, University of Northern Iowa

2006-2007       University Book & Supply Outstanding Teaching Award, University of Northern Iowa

1999-2000       Outstanding Graduate Teaching Award, University of Georgia​

1998-1999       Certificate of Excellence Award, Department of Sociology, University of Georgia

 

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